·

Order Above All

By: C.J. Riley | Flash Fiction

“You want to know how it began? Then sit, Athena. Sit and listen. Not because I owe you the truth, I owe you nothing. But because what comes next will go easier if you understand the man who built this world.”

You think you remember what America felt like before.

You don’t. None of you do. You might have been a child when the seams split, or you weren’t born yet, or you’ve told yourself a softer version of the story because the real one is too hot to hold. That’s what people do. They round the edges. They say it happened gradually, as if the fracture crept in quietly over the years, as if one morning the nation simply woke up tired and lay down.

It didn’t.

It broke in October. In Washington D.C., among the smoke and the screaming, I was seventeen years old, standing in the middle of it with a rifle I’d lied my way into carrying.

My name was Herbert Malrick then. Not General. Not the Architect. Not the Cyber General or whatever the Free Republic’s propaganda rags have taken to calling me. Just Herbert. A boy from Alexandria with a dead father, a mother who’d stopped speaking after the food subsidies collapsed, and a head full of the only thing that had ever made sense to him… order.

Even as a child, I understood something the adults around me refused to accept. That freedom without structure is just another word for wildfire. You can warm yourself with it. You can cook your food. But the moment you stop tending it, the moment you take your eyes off it because you’re busy arguing about whose turn it is to hold the poker, it burns everything you love to the ground.

The ideology wars gave me the language for it. By the time I was fifteen, the country had split itself along lines so sharp you could bleed just walking between them. The 16th Amendment repeal movement had been building for years. What started as tax protests in the mid’ 2030’s had curdled into something else entirely, something that wore patriotism like a coat over a much older rage. On one side, people who believed the federal government had spent a century picking their pockets. On the other side, people who believed the only thing standing between them and a return to something worse was the collective. Neither side was entirely wrong. That was the tragedy of it.

I didn’t belong to either side. I belonged to the idea that someone had to hold the line between them.

I lied about my age at the recruitment center on Route 1, walked in looking like a man, and walked out with papers saying I was 20 and fit for service. The sergeant who processed me looked at my face for a long moment. I remember his eyes, tired and specific in the way eyes get when they’ve seen too much and stopped flinching at the worst of it. He stamped the form without a word. I think he knew. I think he didn’t care. The National Stabilization Force was three weeks old and critically undermanned, while the capital was burning in patches. As far as the government was concerned… a willing body with steady hands was a willing body with steady hands.

They ran us through two weeks of what they called accelerated integration. Drills, riot protocols, crowd dispersal formations. I was good at it. Better than good. There was something in the geometry of it, the way a line of soldiers becomes a single organism, every individual subsumed into a collective purpose – that felt like the only honest thing in a world of dishonesty. When you are part of a formation, there is no ambiguity. There is the line. There is what the line holds back. There is the order that arrives and the execution that follows.

For the first time in my life, I was not afraid.

October 14th.

They deployed us to the National Mall at 0600. The protest had begun the night before, what the broadcasts were calling a “civic demonstration” and what the men in our unit were calling something unprintable. By the time we arrived, it had grown into something that didn’t have a clean name. Twenty, maybe thirty thousand people between the Lincoln Memorial and the Capitol steps. Some of them were the amendment protesters, the ones with the flags and the printed manifestos and the righteous fury of people who believed they’d been stolen from. Some of them were the counter-movement, the collective socialists, the mutual aid networks, and the community federalists, there to oppose the repeal by the sheer physics of their presence. And mixed in among both, the way infection moves through a crowd, were the ones who hadn’t come to protest anything but were paid to do so anyway. All had come because the world was breaking and they wanted to be present for the fall.

The smoke was already visible from three blocks out. Someone had set fire to a row of parked federal vehicles on Constitution Avenue. The sky above the Mall had taken on a particular quality – yellow-gray, oily, the kind of light that makes everything feel slightly surreal, like the world is running low on whatever it needs to keep being itself.

My unit took position at the eastern end of the Mall, forming a cordon near the Capitol reflecting pool. Lieutenant Graves, twenty-six years old, a National Guard transfer who’d been made lieutenant by the same desperate arithmetic that had made me a soldier, walked our line with his jaw set and his eyes doing the constant calculation of a man who is trying very hard not to show that he is frightened.

“Hold the line,” he told us. “Do not advance. Do not engage unless engaged. We are a presence. We are a reminder that there is still a structure.”

I believed him. I wanted to believe him.

For two hours, it held.

The crowd surged and receded like a tide stalling on its inevitable journey. There was chanting – both sides, overlapping, a wall of competing sound that, after a while, stopped being words and became something more primal. There were scuffles at the edges, flare-ups that burned bright and brief, leaving people on the ground. Medics moved through the crowd, red crosses visible, which felt like the most heartbreaking thing I had ever seen – the fact that someone had thought to bring medics, had anticipated this, had planned for the bleeding.

I stood in the line, and I held my rifle tight as I watched America come apart in real time.

And then… I saw him.

His name was Reverend Gerald Okafor. I knew him from Alexandria, he ran the community center two blocks from where I’d grown up, the one that had kept my mother fed in the worst months of the subsidy collapse, the one where I’d spent three afternoons a week for two years learning to read music and fix engines and be, as he put it, a person of use. He was sixty-one years old, broad-shouldered, with a preacher’s voice that could rattle windows and a preacher’s patience that could outlast stone.

He was standing forty feet in front of our line, between the crowd and our cordon, with his arms spread wide.

Not threatening. Not advancing. Standing. The way you stand when you are trying to be a wall made of something softer than concrete. He was talking, I could see his mouth moving, and some of the people near him were listening, were pulling back slightly from the press of the crowd, were finding in his voice or his presence some reason to hesitate.

He looked over and saw me.

I watched recognition move across his face. Surprise first. Then something more complicated. He held my eyes for a moment, a moment that lasted in the way certain moments do, A flash in time to Polaroid the moment – and then he turned back to the crowd and kept talking.

He was trying to stop it. I understood that. In his own way, he was doing exactly what I was doing, standing in the gap, insisting that there was still a gap to stand in.

The order came at 10:47.

I know the time because I have thought about it ten thousand times in the decades since, have turned it over in my mind the way you turn a stone over to see what lives beneath it. 10:47. A Thursday? A Tuesday, maybe… the specific wrongness of an ordinary time attached to an extraordinary thing.

The radio crackled. Lieutenant Graves listened. His face did something I had never seen a face do before – it went through several expressions simultaneously, like a man trying on coats and finding all of them wrong. Then it went still.

“Forward advance,” he said with a somber tone. “Disperse the crowd. All sections.”

Someone in the line said, “Sir, there are civilians-”

“They are all civilians!” Graves shouted. “Forward advance!”

The line moved.

What followed – I will not make it beautiful. There is a particular dishonesty in making violence beautiful, in finding the clean arc of it, the narrative sense. It was not beautiful. It was bodies falling and voices breaking in agony and the specific sound of order dissolving into chaos, trying to dissolve into order again and finding that the two things had become indistinguishable.

I moved with the line. My training moved my body. My training had been thorough.

Reverend Okafor did not move.

He stood in the advancing line of soldiers with his arms still spread and his voice still going and his eyes finding mine again across the shortening distance, and I understood in that moment – with a clarity that was physical, that lived in my chest and my hands and the soles of my feet – that he was not going to move. That he had decided this was the moment that required him to stay exactly where he was. That he believed, with the full weight of a life spent believing things, that a human being standing in a space and refusing to cede was a force that could compete with a larger, more aggressive kind of force.

He was wrong.

I knew he was wrong before it happened. I knew it the way you know a proof – not with feeling, but with the cold mechanical certainty of a thing that cannot be otherwise. History is not moved by courage. History is moved by force, and force has always belonged to whoever is willing to apply it without flinching, and flinching is a luxury that only the losing side can afford.

The soldier to my left reached him first.

He was alive. I want you to know that. He was alive, helped to the medical station, and recovered. That is the true version. I am not telling you a story in which I watched a man I loved die to make myself more interesting or my choices more forgivable.

He was alive. He looked at me from the ground with those eyes and said nothing, and that was worse.

By noon, the Mall was cleared. By 1400, the Capitol perimeter was secured. By nightfall, the reports were coming in from twelve other cities – similar actions, similar orders, similar results. The protests did not end. They metastasized, went underground, went to the places where the Stabilization Force couldn’t reach, and in those places they became something harder and more permanent.

The country cracked along those lines. You know the rest. Everyone knows the rest.

What they don’t know – what I am telling you now, Athena, so that you understand the gift I am offering you – is what happened to me in the hours after. How I sat in the transport with my rifle across my knees and felt the last of something leave me. Not conscience. Not humanity. Those words are too dramatic, too self-important for what they actually were.

What left me was doubt.

The doubt that had been the background noise of my entire life – the wondering whether I was right, whether the order I believed in was real or merely the order I preferred, whether the line I was holding was worth what it cost to hold it. The doubt that had made me human in all the ways that make humans ineffective.

It left me in that transport, and in its place was something quieter and much more durable.

Certainty.

Reverend Okafor was right about one thing. A person standing in a space and refusing to move is a force. He was wrong only about what kind of force can answer it.

I have spent forty years answering that question. Building the United American Territories from the rubble of what the doubt-ridden and the merciful left behind. Installing the systems, the surveillance, the enhancements, all of it in service of the only thing I have ever truly wanted. A country where no one has to be afraid because everyone is accounted for, every variable controlled, every gap in the line filled.

Order above all.

It is not a slogan. It is not a political position. It is the single lesson of October 14th, written in a language I have spent my life learning to speak fluently.

And now you.

You look at me the way he did… With that particular courage that doesn’t know yet what it costs. You have your husband’s eyes. David always had that same quality, that same refusal to accept the math of a thing he didn’t like. I respected him for it. I mourned it when the pride caught up to him.

Your son has it too, they tell me. Mace. I haven’t met him yet. Perhaps I won’t need to.

But you.

You, I can use. You, I can make into something that doesn’t waste that courage on futile stands in front of advancing lines. The nanobots are not a punishment, Athena. I need you to understand that before the procedure begins. They are an upgrade. They are what I wished someone had given me at seventeen – the removal of the noise, the static, the doubt. What remains is clarity. Purpose.

What remains is strength.

The technician moves behind Athena. The equipment begins to hum. The soft hydraulic hiss of the preparation rig, the particular antiseptic smell that fills the room with clinical finality. I have watched this process many times. I never tire of it. There is an elegance to the moment just before the last breath of a person as they were, the last firing of a mind that belongs entirely to itself.

I find it odd that you are looking at me.

Most of my subjects look away. At the floor, at their hands, at some private interior distance. You look at me directly, and I find that I respect it, the way I respected Okafor’s refusal to move. It changes nothing. But I respect it.

“He’ll come for you,” Athena replies.

Your voice is steady. I’ll give you that.

“Mace,” Athena says his name like it is a wall. Like it is the last solid thing, then continues, “You don’t know what he is. What he’s going to be. You think you can build a world with walls tall enough to keep him out, but you can’t. You can’t build anything tall enough.”

I look at her for a moment. Then I pull the stool from beneath the instrument table and sit, because this deserves the courtesy of my full attention.

“Tell me about him.”

She hesitates. I see the calculation move through her, whether telling me makes him safer or less safe, whether silence is armor or simply silence. “You are a strategist, Athena. David saw that in you before I did. It’s part of why I need you.”

“He’s seventeen now,” she says finally. “And he already sees through everything you’ve built. The surveillance nets. The loyalty scoring. The way your UAT anthems play at different volumes, in different districts, depending on compliance ratings. He knows where the gaps are. And he’s patient.” She pauses, “He gets that from his father.”

A silence.

Athena continues, “He’s going to pull it all down. Everything you chose instead of mercy. He’s going to make your legacy mean nothing.”

I consider that.

Seventeen years old, mapping my infrastructure. Patient. The son of David Carter, who was one of the sharpest tactical minds I ever had the privilege of calling an ally, before he made the particular choice that ends alliances.

I think about myself at seventeen, standing in a formation on the National Mall, watching a man I loved refuse to move.

I think about what I was then, and what I became, and how long that took, and what it required.

And I think, not for the first time, not with any great weight of feeling, but with the calm of a man who has been doing arithmetic for forty years, that a boy who is already patient at seventeen is either going to be the most dangerous thing I’ve ever produced, or the most useful.

Either way, he is going to be remarkable.

“Thank you,” I say. “For telling me.”

She understood immediately that it was the wrong move.

“I see it in your face, not regret, you’re not built for regret, but the cold recognition of a miscalculation. You thought the threat of him would make me cautious. Make me gentle. Make me offer you terms.”

“You should be afraid of him,” She says.

“Perhaps,” I say. “But fear, like doubt, is a resource I exhausted a long time ago.”

I stand, straighten my coat, and look at the technician.

“No sedative.”

The technician pauses. This is not standard protocol, and she knows it. She looks at me with the specific expression of someone who wants to object and has learned, through careful experience, the precise cost of objecting.

“General, the procedure without an anesthetic is -”

“Necessary,” I say sternly. “She threatened my work. She should understand what it costs to threaten the work.” I look back at Athena. “And she should be fully present for her own becoming. It seems only fair. I was fully present for mine.”

She doesn’t scream. Not yet.

You look at me with those eyes, David’s eyes, Mace’s eyes, the eyes of everyone who has ever stood in front of my advancing line and believed that looking directly at a thing could stop it, and you say, very quietly, one last time:

“He will find me.”

The first needle finds its mark at the base of her skull.

Perhaps he will, I think, as I watch the beginning of the new Athena.

Perhaps that’s exactly what I’m counting on.

The technician sets the case on the table beside her. Brushed steel, latched with biometric locks, the kind of container that communicates without words that what is inside it is precise and irreversible. The technician does not look at her. They are trained not to look. Eye contact introduces variables.

I watch her face as the technician opens it.

Athena does not look at the case. She looks at me.

“He’ll find me,” she says again.

Her voice is steady. That surprises me in a way, though it shouldn’t. I have always known what she was capable of. David knew it too. It was why he loved you, and why, in the end, that love made him reckless.

“Mace will find me,” she says again, as if the repetition gives it additional meaning. “And when he does-”

“When he does,” I say, “he will find something far more useful than the woman who was unable to raise him.”

She shakes her head. Small, tight, the motion of someone who is choosing very carefully which energy to spend. “You don’t know him. You think you do because you knew David. Because you knew me, once. But Mace is something you haven’t encountered before. He doesn’t follow the pattern.”

I consider this. I give it the consideration she intended her statement to carry. It is the least I owe her courage.

“Every variable follows a pattern,” I say. “The ones that appear random are simply the ones we haven’t modeled long enough.”

“He will bring you down,” Athena promises.

The words are flat, precise, and delivered without the tremor of a threat, which is how I know she means them absolutely.

“Not because he’s angry. Not because he wants revenge. Because he is my son and David’s son, and he was built for exactly this, even if he doesn’t know it yet. You put him on that path the day you took us from him and David from us. You just don’t know you did.”

The technician looks up at me. A question in her posture. Standard procedure at this point in the briefing is to offer a sedative, not for comfort, but for compliance, to ensure the subject is still compatible for the initial injection sequence. We have found that the ones who fight cost us calibration accuracy.

I look at her.

She is still looking at me. Still steady. The promise of your son living behind her eyes like a pilot light that has nothing to ignite.

“No sedative,” I say.

The technician hesitates. “General, protocol recommends-”

“I am aware of what protocol recommends!” I bark back, slamming my fist on the wall.

She nods. Returns to the case.

Athena understands immediately. I watch her understand. She is too intelligent not to.

“This is because of what I said.” Athena States with no questioning tone.

“This is because order requires precision,” I say. “And precision requires that you remain exactly as you are. Awake. Present. Every nerve available to receive what is being given to you. It will take approximately four minutes for the first wave to complete dispersal. I am told the sensation has been described in a number of ways.” I pause. “None of them is adequate.”

She says nothing. She looks as though she is deciding how to hold herself through what is coming, running some internal calculus I cannot yet access but will be able to, within the hour.

Then, quietly, with a certainty that echoes something I recognize from forty years ago in a mirror:

“He will come for me. And you’ll feel it when he does. Whatever you make me into- I’ll still be in here. And I’ll be waiting for him.”

The second needle finds its mark.

Her breath catches. Her hands, bound at the wrists, curl into fists and then release, and then curl again, her body negotiating with something it was never designed to withstand gracefully. The nanobots do not care about grace. They care about completion. They move through her with the same patient, systemic certainty with which I have always moved through the world, indifferent to resistance, indifferent to pain, interested only in the end state.

She does not scream. I expected that.

Her jaw locks. Her eyes stay open and glare at me.

Turning around, I stand at the window and watch the city below, my city, my order, every lit window a controlled variable, and I listen to the sound of her becoming something the UAT can use.

Thinking about a boy named Mace Carter, whom I have never met.

One who does not follow the typical patterns.

One who was built, his mother says, for exactly this.

I think about Reverend Okafor, still and spreading arms in front of an advancing line, certain that a human being could be force enough.

I think about how he was wrong.

I think about how certain I am that he was wrong.

Behind me, she makes a sound that is not a scream. That is something older and quieter than a scream. An inhaling screech that has run out of language and returned to its source.

The technician notes the time.

The nanobots continue their work.

Order above all.

After turning back around, I watch her close her eyes.

Not in surrender. I know the difference. She is going somewhere inside herself- somewhere the procedure will find eventually, will map and integrate and bring under the architecture, but not yet. Not in this moment. In this moment, she is thinking of her son. I am certain of it the way I am certain of most things: completely, and without the option of doubt.

You are thinking: Mace.

You are thinking: remember this. Remember what it felt like. Carry it.

As if thought could survive what comes next. As if love were a variable the nanobots couldn’t account for.

I have heard that argument before.

As the procedure continues, the sounds you make are not merely screams. They are something more fundamental than a screaming, something that lives below language in the architecture of the human animal, a signal that predates every civilization, every ideology, and every carefully constructed order that human beings have ever built over the rawness of what they are.

I do not look away.

I have never looked away.

That is, in the end, the only thing that separates the people who build the world from the people who are built upon.

So be calm, Athena.

You understand me now. You understand that the man who is about to remake you is not a monster who has never felt anything. He is a man who felt everything, once, and made a choice.

It was the right choice.

It is always the right choice…

Somewhere in the Western territories, a boy who does not yet know his mother’s name has been erased from her voice, prepares for a war he doesn’t know is already his.

— End —


Discover more from C.J. Riley

Subscribe to get the latest posts sent to your email.

2 responses

  1. Vachon Bullock Avatar

    This doesn’t make war beautiful and it’s refreshing

    1. C.J. Riley Avatar

      Thank you. I am glad you saw it in that way. I entered it in the Reedsy Literary Prize contest. It is a branch of the “A Trickster’s War” series I am writing that will most likely appear in the 3rd or 4th novel, but I had inspiration and ran with it.

Leave a Reply

Discover more from C.J. Riley

Subscribe now to keep reading and get access to the full archive.

Continue reading

Discover more from C.J. Riley

Subscribe now to keep reading and get access to the full archive.

Continue reading